Wednesday, November 27, 2019

Kiss And Hype Essays - Kiss, Wicked Lester, Peter Criss, Ace Frehley

Kiss And Hype Hype is defined as promotional publicity of an extravagant or contrived kind. It is used to lure the consumer to a certain product or an event of some kind. The competition for the consumer's attention is intense and even desperate at times. Throughout the 1970's, there was a vast machinery of hype surrounding the music industry. Some of what came out of it was original and imaginative, but some was deceptive and outrageous. Whatever it was, it was all aimed at the consumer. The rock group Kiss has been performing for over twenty-six years. In that time, they have sold over ninety million albums, amassed legions of fans, and sold out stadiums around the world. There is a reason for the extraordinary success of Kiss. It has something to do with their music, but it has more to do with the way they are hyped and packaged. So lets unwrap that package. In 1972, Gene Simmons was a sixth grade school teacher in New York City. With guitarist Paul Stanley, he formed a band called Wicked Lester that played in small clubs and bars around New York. That band quickly failed. "Wicked Lester just wasn't the deadly rock n' roll assault squad they had always wanted" (Kitts 12). But Simmons and Stanley felt they could and would become stars. They invested in some large equipment and decided to start a major rock band. From the hordes of drummers, they chose Peter Criss, who had been advertising himself in New York newspapers. They auditioned over thirty guitarists and chose Ace Frehley, who had been delivering liquor for a living. The band was formed and now came the time to sell it. The key step was to persuade Bill Aucoin, director of the television show Flipside, to take over the management of the band. Kiss emphasized style over substance and went heavy on trappings. Makeup came first. It set them apart from everyone else and gave them an aura of mystery. Each member developed his own alter ego. It was the first of many Kiss gimmicks that worked. The costumes came next, complete with black leather, aluminum studs, and seven-inch platform heels. They never allowed themselves to be photographed out of character. "The hype was self-perpetuating. The more Kiss's identities were shielded, the more interest there was in trying to photograph them" (Lendt 40). By 1978, Kiss was the highest grossing live act in the world. Their concerts became main attractions for millions of people. Kiss's formula for success was simple: hit the audience so hard, with a barrage of gimmicks, stunts, and theatrics, that they will not be able to forget you. Everything was intended to project power. The double s's at the end of the Kiss logo were designed to look like lightening bolts. The stage was equipped with drum risers, platforms, and a towering electric sign with a gigantic lit up Kiss logo. A high point, or "hype" point, in the show came when Gene Simmons, the demon, would breathe fire. Another "hype" point would come when Simmons vomited blood. For Kiss, their concerts were the best commercials for their albums. Kiss had to make their way in the 1970's without the help of radio. There were virtually no stations in the country that would play their music. Instead, they promoted themselves in other ways. They permitted no promotional possibility to slip away. Kiss sold t-shirts, hats, belt buckles, puzzles, dolls, jackets, pictures, posters, comic books, and virtually any and everything they could put their logo on. "In some ways it epitomized just how big and different we were that a lot of other bands" (Stanley, Kiss Extreme Close-up). They used all of this promotion to sell records. In the music business, this sort of thing is called, not without reason, exploitation. Kiss is one of the best examples of hype in the music industry. Without their image, along with the package, they might not have ever made it out of the clubs and bars. Few imitators have attempted to copy or adapt the Kiss formula's obvious appeal, and certainly none have surpassed Kiss's success at capitalizing on that formula. In time, Kiss may one day be permanently enshrined as a theme park ride, a Las Vegas casino attraction, or some other modern era mass entertainment spectacle: which is what Kiss was all about in the first place. Bibliography Kitts, Jeff. Kisstory. Los Angeles: Kisstory Ltd., 1994. Lendt, C. K. Kiss and Sell: The Making of a Supergroup. New York: Billboard Books, 1997. Kiss Extreme Close-up.

Sunday, November 24, 2019

Vermonts civil union law essays

Vermont's civil union law essays Vermonts civil union law would be good for the country in a number of ways, some of which are not so much ethical, but moral. Allowing a man to be united with another man, or a woman with another woman will not signify the end of society. Will it bring about changes? Absolutely! That is what this entire argument is all about; change. Change is unpopular. It tears at the glass walls of our individual paradigms, creates chaos and uncertainty amongst some individuals, and puts almost everyone in a state of uneasiness. But change always occurs! Could we have come this far as a society without change? Technology, medical science, education, and our abilities as humans are pushed to new boundaries each and every day. This would not be possible without change. Most of us tell our children its not nice to say derogatory remarks concerning a persons race, sex, or religious preference. We educate our children that they must be open-minded and that god gave them a brain that is capable of doing and creating such wonderful things. We tell them how smart they are (or will be) and how their education and life experiences or exposures are so much greater than ours. Then we force our old values upon them...........just the way our parents did to us, and their parents did to them. Maybe women shouldnt have the right to vote? Maybe no person should be entitled to hold land or any property; everything should belong to the state? Maybe marriage outside ones own race should be outlawed? Maybe blacks should go back into slavery? Would society have been a better place if change hadnt occurred? Should we vote to go back to the way it was? How many of us would want to do that? When all these issues were at large, there was similar sentiment about them as there is about same sex coupling. Some were for it, others were against it. I believe in allowing same sex marriages. ...

Thursday, November 21, 2019

Written Landscapes PowerPoint Presentation Example | Topics and Well Written Essays - 250 words

Written Landscapes - PowerPoint Presentation Example The main issue to be addressed is the correlation between changes in landscape’s literary representations and the underlying cultural transformations of human civilizations. The importance of landscape in the ancient mythological narratives cannot be understated. This is because myths’ key concepts inherently relied on the association of specific sacral space with relevant landscape features such as mountains, seas, forests. In the Greek myths, Richard Buxton observes that the very depiction of the world’s creation in Hesiod is directly related to the emergence of landscapes necessary for all life to thrive. 1 By virtually abounds with references to sacred places that are conceptualized particular (and very much real) landscapes to be revered and visited Indian mythology is similar to the Greek mythology. In particular, sacred mountains like Himalaya and rivers such as Ganges played an instrumental role in the organization of Indian sacred landscape. Moreover, as one may see Similarly, the Near Eastern myths appear to reflect the preoccupation of ancient people with the connection between landscape and the sacred. The Epic of Gilgamesh is notable especially due to its emphasis on the notion of ‘cultivating’. The previously from the rich legacy of Indian epics, ancient Indians paid great attention to the connection between their landscapes and divine characters of their myths. 2 ‘Uncivilized’, or more precisely the ‘monstrous’ landscape by the divine or divinely inspired hero was not notable. The same motif can be found in the myths of Heracles and in his struggle against malevolent creatures of nature as well as in Beowulf, with this epic poem’s contrast between the bright palaces of human kings and dark marshes and deep seas, where the creatures of darkness dwell. 3 This contrast seems to be present in the number of other mythologies. In contrast to the epic poems and heroic myths on lyric poetry, the